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Artistic Leadership

Douglas Martin

Artistic Director

Douglas Martin's picture

DOUGLAS MARTIN started his ballet training with Dimitri Romanoff at the San Jose Ballet School and was one of six dancers selected by Mikhail Baryshnikov to study in the newly-formed American Ballet Theatre School. He was invited to join the Joffrey Ballet in 1984 where, as a principal dancer, he performed roles in ballets by Ashton, Arpino, Cranko, Balanchine, Joffrey, Taylor, Pendleton, Kudelka and many other great 20th century choreographers. Martin was featured in performances of Dance in America on PBS and was an original cast member of the historic recreation of Nijinsky’s Le Sacre du printemps. He was among the last dancers of the Joffrey Ballet to spend the majority of his career in the company working under founder Robert Joffrey. Martin joined the Cleveland Ballet in 1991 and danced an array of principal roles including the Minister in Agnes deMille’s Fall River Legend. In 1993, Martin was invited to join the American Repertory Ballet. As leading dancer and Ballet Master for ARB, Martin collaborated with directors in creating ballets, including productions as the original cast lead in Romeo and Juliet, Swan Lake, The Dream and The Nutcracker. Martin continued to be a principal dancer in the company as well as Ballet Master for ARB and ARBW and Principal Faculty for the Summer Intensive until his retirement from performing in 2002. After retiring from ARB as a performer, Martin expanded his teaching, production and choreographic work. Martin has been an integral part of the teaching staff at the Princeton Ballet School, Rutgers University and Westminster Choir College, and has also served as the School’s Music Director and ARBW Ballet Master. He has staged full-length and repertory ballets for several companies, including Romeo and Juliet and Philip Jerry’s Our Town. Additionally, Martin has choreographed for several Princeton Ballet School productions, including Sleeping Beauty, Swan Lake, Don Quixote and Coppélia. In 2010, Mr. Martin became Artistic Director of American Repertory Ballet. Since then, he has premiered a new production of Nutcracker, choreographed several new works including Ephemeral Possessions, Pathways, Rite of Spring, Firebird, and a full-length Romeo and Juliet and A Midsummer Night’s Dream and has commissioned 31 company premieres, including 19 world premieres.

Mary Barton

Ballet Master and Resident Choreographer

MARY BARTON received her dance training at The Washington School of Ballet under the direction of Mary Day and participated in summer courses at the School of American Ballet and Joffrey Ballet School. Her professional experience began when she performed with The Washington Ballet as a soloist in Balanchine’s Scotch Symphony and in the principal role in Tom Paczik’s Tzigane. Early professional credits include the Oldenburg Staat Ballet in Germany and several seasons with Dayton Ballet. In 1986, Ms. Barton joined the Joffrey Ballet/NY where she performed a variety of roles in the great ballets of the 20th century. Robert Joffrey created the role of Clara for her in the world premiere of his new Nutcracker. Ms Barton was featured in an interview on The Charlie Rose Show with Gerald Arpino. Ms. Barton TV credits include performances in Dance in America on PBS and was an original cast member of the historic recreation of Nijinsky’s Le Sacre du printemps. From 1993-2004, Ms. Barton was a principal dancer with American Repertory Ballet where notable roles include Sugar Plum Fairy, Odette/Odile in Swan Lake, Juliet in Romeo and Juliet, Cinderella, Titania in A Midsummer Night’s Dream, and Emily in Our Town and leads in Balanchine’s Four Temperaments, Rubies, Concerto Barocco and Serenade. Ms. Barton has been on the faculty of the Princeton Ballet School since 1994 and is one of the primary teachers and choreographers for the Summer Intensive. She is a former ballet faculty member at Princeton University and current faculty at Rider University’s Music Theater Department. As Resident Choreographer and Ballet Master of ARB, Ms. Barton’s works include Straight Up with a Twist, Five Men and a Concerto, Faerie Tyme, Fantasy Baroque, her newest work Shades of Time and over two dozen works for Princeton Ballet School’s spring full length ballets and Summer Intensive.

Kathleen Moore

Company Teacher

KATHLEEN MOORE Kathleen Moore  trained with Dame Sonia Arova and Thor Sutowski at the Alabama School of Fine Arts (ASFA) and attended summer intensives at the School of American Ballet and the American Ballet Theatre (ABT) School.  She graduated from ASFA as a Presidential Scholar in the Arts and moved to NY to join ABT II in 1980. Invited by Mikhail Baryshnikov to become a member of the corps of ABT in 1982, Ms. Moore was appointed soloist in 1988 and Principal dancer in 1991. Her work included roles across the classical, dramatic, modern and contemporary repertory. Agnes de Mille, Twyla Tharp, Mark Morris and other respected choreographers created roles for her and she was a member of the premiere tour of the White Oak Dance Project under the direction of Mikhail Baryshnikov and Mark Morris in 1990. Ms. Moore has appeared in several dance documentaries, the Herbert Ross movie  Dancers, and was interviewed on The Charlie Rose Show. Ms. Moore began teaching for Princeton Ballet School in 1993 as a guest teacher and has worked with ARB since 2006. She is also a member of the ballet faculty at the Lewis Center of the Arts at Princeton University.  Ms. Moore is certified to teach all levels of ballet through the ABT® National Training Curriculum. 

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